The musical program
♫ Rossini: Overture La gazza ladra
♫ Verdi: Noi siamo zingarelle (from La Traviata)
♫ Verdi: Soldiers' chorus (from Il Trovatore)
♫ Mascagni: Intermezzo (from Cavalleria rusticana)
♫ Verdi: Anvil Chorus (from Il Trovatore)
♫ Verdi: Overture Nabucco
♫ Verdi: Va, pensiero - Chorus of the Hebrew Slaves (from Nabucco)
♫ Verdi: Patria oppressa - Down-trodden country (from Macbeth)
♫ Bellini: Overture Norma
♫ Puccini: Humming Chorus (from Madama Butterfly)
♫ Verdi: Gloria al Egitto & Triumphal March (from Aida)

Live recording: Sunday the 2th of September 2018 in Het Concertgebouw in Amsterdam.

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The musical program
♫ Gilles - Messe des morts (Parisian version, 1764) - Introit and Kyrie
♫ Gilles - Hommage à Rameau: Gravement (from Dardanus) - Graduel I, Graduel II, Offertoire and Sanctus
♫ Gilles - Hommage à Rameau: Tristes apprêts (from Castor et Pollux) - Elévation, Benedictus, Agnus Dei and Communion
♫ Gilles - Sommeil éternel de Rameau: Rondeau tendre (from Dardanus)
♫ Gilles - Apothéose de Rameau: Air des esprits infernaux (from Zoroastre)

The soloists
♫ Judith van Wanroij [soprano]
♫ Sean Clayton [haute-contre]
♫ Davy Cornillot [tenor]
♫ Lisandro Abadie [bass]

Recording: Sunday the 2th of September 2018 in TivoliVredenburg in Utrecht.

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The musical program
♫ Josquin: Praeter rerum seriem
♫ Josquin: Miserere mei
♫ Josquin: Missa Malheur me bat (Kyrie, Gloria, Credo, Sanctus and Agnus Dei)

The soloists
♫ Aleksandra Lewandowska [soprano]
♫ Margot Oitzinger [mezzo-soprano]
♫ Samuel Boden [haute-contre]
♫ William Knight [haute-contre]
♫ Andrew Tortise [tenor]
♫ Stephan Gähler [tenor]
♫ Frederik Sjollema [baritone]
♫ Jaromir Nosek [bass]

Recording: Thursday the 30th of August 2018 in the Domkerk in Utrecht.

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The musical program
♫ Jean-Philippe Rameau: Les Boréades

The soloists
♫ Deborah Cachet [soprano; Alphise]
♫ Caroline Weynants [soprano; Sémire, L’Amour, Polimnie]
♫ Juan Sancho [tenor; Abaris]
♫ Benedikt Kristjánsson [tenor; Calisis]
♫ Benoît Arnould [baritone; Adamas]
♫ Nicolas Brooymans [bass; Borée]
♫ Tomás Šelc [bass; Borilée]
♫ Lukáš Zeman [bass; Apollon]

Recording: Wednesday the 29th of August 2018 in TivoliVredenburg in Utrecht.

Nous remercions bien vivement Alain Villain pour la mise à disposition gracieuse de l’ensemble du matériel des Boréades dont il est l’éditeur (Copyright Alain Villain 1982, 1998, 2001, Paris). Sources BnF, Paris Rés. Vmb Ms4 / Vm2 398. Nous remercions également Alain Villain pour la libre reproduction, en surtitrage, du livret des Boréades qu'il a publié en 1982. Copyright Alain Villain, Paris, 1982 (Source: BnF, Paris Rés.Vmb Ms4).

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The musical program
PREMIÈRE VEILLE
♫ De Cambefort: Récit de la nuict
♫ Anonymous: Entrée pour les quatre heures
DEUXIÈME VEILLE
♫ Constantin: Entrée des ombres
♫ Anonymous: Récit de Vénus, 1e air pour les jeux, les ris, l’Hymen & Comus, Air pour les Grâces
♫ Lambert: Dialogue des trois Grâces
♫ Anonymous: Sarabande pour une Espagnolette
♫ Cavalli: from Ercole amante
TROISIÈME VEILLE
♫ De Cambefort: Récit de la lune
♫ Anonymous: Entrée pour Endimion and pour la Lune
♫ Boësset: Noires forêts
♫ Anonymous: Entrée pour Hercule amoureux
♫ Cavalli: from Ercole armante
ENTRACTE
♫ Anonymous: Les coribantes I, II and 2e air pour les Ardents
♫ Cavalli: ‘Gradisci O rè!’ from Ercole amante
♫ Anonymous: Un grand homme monté sur un bouc
♫ Cavalli: ‘Gradisci O rè!’ from Ercole amante
♫ Anonymous: Six loups-garoux
♫ Cavalli: Dall’occaso from Ercole amante
♫ Anonymous: Ritornello
QUATRIÈME VEILLE
♫ De Cambefort: Dialogue du sommeil & du silence
♫ Anonymous: Les songes furieux, des songes and du flegmatique
♫ Boësset: Récit des dieux des songes
♫ Rossi: from Orfeo
GRAND BALLET
♫ De Cambefort: Récit de l’Aurore
♫ Anonymous: Entrée du Roy représentant le soleil
♫ Cavalli: Les planètes from Ercole amante
♫ Anonymous: Libertas and All’impero d’Amore

The soloists
♫ Caroline Weynants, Violaine Le Chenadec, Caroline Dangin-Bardot, Jeanne Lefort [soprano]
♫ Lucile Richardot, Ilekstra Platiopoulou, Deborah Cachet, ♫ Stéphanie Leclercq [mezzo-soprano]
♫ David Tricou, Clément Debieuvre [haute-contre]
♫ Davy Cornillot, Constantin Goubet, Randol Rodriguez [tenor]
♫ Etienne Bazola [baritone]
♫ Nicolas Brooymans, Renaud Bres, Jeroen Bredewold [bass]

Recording: Tuesday the 28th of August 2018, in TivoliVredenburg during the Early Music Festival Utrecht 2018.

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The musical program
♫ Anonymous: Instrumental procession
♫ Gregorian: Adeamus cum fiducia
♫ Morton: Lomme armé
♫ Josquin: Missa L’homme armé super voces musicales (Kyrie, Gloria)
♫ Josquin: Gaude virgo mater Christi
♫ Josquin: Benedicta es caelorum regina
♫ Josquin: Missa L’homme armé super voces musicales (Credo)
♫ Morton: Il sera pour vous / Lomme armé
♫ Josquin: Ave Maria
♫ Anonymous: Cantus firmus L’homme armé
♫ Josquin: Missa L’homme armé super voces musicales (Sanctus-Benedictus)
♫ De Cabezón: Misa L’homme armé glosado (Osanna)
♫ Josquin: Missa L’homme armé super voces musicales (Agnus Dei)
♫ Japart: Il est de bonne heure né / L’homme armé
♫ Gregorian: Dixit Jesus matri suae

Recording: Sunday the 26th of August 2018, in TivoliVredenburg Utrecht.

The 'Missa L’homme armé super voces musicales' is the first of two settings of the ordinary of the mass by Josquin Desprez, using the famous 'L’homme armé' tune as their cantus firmus source material. The earliest source containing the mass is the Vatican manuscript CS 197 (ca. 1492-1495) and our work is based on that score. In Rome inside the Papal circle instruments were almost forbidden. However, the earliest print of masses, in Petrucci’s Misse Josquin of 1502, points to a wider dissemination. The mass was probably performed not only in Rome, but also in quite different places and at different times, and was also adapted for instruments.

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The musical program
♫ Deus noster
♫ Quam Dilecta
♫ In convertendo
♫ Encore - Rameau: Paroles qui ont précédé le Te Deum

Recording: Saturday the 25th of August 2018, in TivoliVredenburg Utrecht.

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